For me, the star of this year’s TIFF wasn’t a director or performer but instead the brilliant programmer Andréa Picard. Her Wavelengths program was strong, open-minded and imaginative, combining the best of contemporary narrative and avant-garde cinema. In Picard’s hands it has become the crowning glory of this festival.
I’ve been going to TIFF for 15 years, and this was among the best I’ve ever attended. I caught about 30 films, and I will have a piece on the festival in the current (fourth) issue of LOLA that Adrian Martin and I and our webmaster Bill Mousoulis are in the process of rolling out. Meanwhile, here’s a quick personal summary evaluation of the films:
At Berkeley (Frederick Wiseman, USA)
Stranger by the Lake (Alain Guiraudie, France)
Bastards (Claire Denis, France)
Manakamana (Stephanie Spray & Pacho Velez, USA)
The Strange Little Cat (Ramon Zürcher, Germany)
Night Moves (Kelly Reichardt, USA)
Stray Dogs (Tsai Ming-Liang, Taiwan)
Three Landscapes (Peter Hutton, USA)
Song and Spring (Nathaniel Dorsky, USA)
Closed Curtain (Jafar Panahi, Iran)
Abuse of Weakness (Catherine Breillat, France)
Our Sunhi (Hong Sang-soo, South Korea)
Redemption (Miguel Gomes, Portugal)
A Spell to Ward off the Darkness (Ben Rivers & Ben Russell, Estonia/France)
A Touch of Sin (Jia Zhangke, China)
Un Conte de Michel de Montaigne (Jean-Marie Straub, France)
The King’s Body (João Pedro Rodrigues, Portugal)
Love is the Perfect Crime (Arnaud & Jean-Marie Larrieu, France)
When Evening Falls on Bucharest or Metabolism (Corneliu Porumboiu, Romania)
October November (Götz Spielmann, Austria)
We are the Best! (Lukas Moodysson, Sweden)
Didn’t work for me:
Under the Skin (Jonathan Glazer, UK)
Fascinating, but I had reservations:
Story of my Death (Albert Serra, Spain)
Links to recent reads:
— Michael Guillen collects Jonathan Rosenbaum’s writings on Pier Paolo Pasolini in a post.
— Farran Smith Nehme reviews Ben Urwand’s book The Collaboration: Hollywood’s Pact With Hitler.
— A tribute post to the late Allan Sekula by Matthew Flanagan.
— “Filming a Land in Flux”: an interview with Wang Bing in New Left Review.
— Bourbon Street Blues (1979), a 25-minute short film by Douglas Sirk starring Rainer Werner Fassbinder, at The Seventh Art.
— The latest issue of Nonsite.org is devoted to Bertolt Brecht.
pic: “At Berkeley” (Frederick Wiseman, USA)